Tuesday, June 18, 2013

Bandcamp Roundup Vol. 29

I managed to luck out and find two bands on Bandcamp that were to my liking.

Frostreich


Frostreich is a post black metal band from Germany that produces somber, beautiful, introspective music. Sure, the clean vocals might sound corny, but I love the emotional instrumentation, and the distortion sounds like the crashing of the waves upon a beach that is undisturbed by humans. Also, I love the cover art.


Pleasure Cross


On the complete opposite side of the emotional spectrum is Pleasure Cross. That play fast, angry, uncompromising grindcore. The production is gritty, the drums unleash a great number of blast beats and fills, the riffs are simple and infectious, and the vocalist sounds like a fucking ghoul. Their first demo may last only three minutes, but what an amazing three minutes it is.

Touhou Tuesday #78


Sunday, June 16, 2013

Nebulous – The Quantum Transcendence of Death


Whereas ordinary death metal likes to talk about, well, death, technical death metal likes to partake in more intellectual subject matter, mostly outer space, and by outer space I mean supernovas, black holes, and the eventual heat death of the universe. Nebulous is one such band that likes to talk about outer space. They formed back in 2010 but didn't release their debut full-length, The Quantum Transcendence of Death, until the start of this year.

After listening to this, I have a feeling The Sound of Perseverance is one of their favorite albums, because during the more technical parts, they copy late-era Death perfectly, from the riff structures to the guitar tone. This is most obvious on the title track. I'm not at all bothered by this. After all, imitation is the most sincere form of flattery. I also hear a bit of Nile in some of the riffs they play, and a lot of the songs they play sound like they were made by Canadian tech-death bands. If I had not known Nebulous was from Alabama, I would have assumed they were from Canada.

I need to stop talking about their influences and start talking about the actual music. The drums play lots of hard-hitting blast beats as well as rapid torrents of double bass. Gene Hoglan would be proud. They also tend to display a bit of groove as well as a few slam rhythms on occasion. The bass is quite high in the mix and adds an extra level of depth to the music. The growls have this deep yet hoarse quality, similar to Origin and Severed Savior.

The guitars are obviously the best element the album. As I said before, there are times when they sound like they were pulled straight from The Sound of Perseverance, and I love the feeling of nostalgia I get when I listen to them. The other riffs also manage to stand on their own, as they are quite complex and sometimes infectious. There are occasions where they implement some weedly-weedly fret work, but they don't add so much that it gets annoying. They also play a few riffs that border on sounding like brutal death metal, what with their pinch harmonics and all.

The only problem I have with the album is the uneven production. The first five songs sounded clear and forceful, but the last four sounded a bit muffled. If you ask me, technical death metal works best when it has clear production. If the production is muffled, then it loses the impact it should have had. Other than that, I really like this album. I love the Death worship and I love the complex song structures that manage to keep things varied and unpredictable.

Friday, June 14, 2013

Sewer Drainer – Sewer Drainer


Very little is known about Sewer Drainer. I couldn't find much information about them. All I know is that they're an extremely lo-fi blackened punk band. I think they're from the Los Angeles area, but I'm not entirely sure. This is their self-titled debut tape, which was released just this year.

Make no mistake. The music on this demo is dirty, heavily distorted, and really loud. The insane amount of distortion is quite similar to bands like Ythogtha and Black Beasts. As for the music, it's stripped-down, straightforward blackened punk. The drums mainly play simple punk beats while the cymbal crashes add an extra layer of calamity. The guitars play punk riffs through a black metal filter. They're simple, minimalistic, and really aggressive. They sound similar to Bone Awl. I don't like Bone Awl, but I like this. The vocals sound similar to Ythogtha in that they consist of a heavily distorted rasp and growl, like the sounds of a foul creature that lives in the sewers. I love 'em. They sound positively grotesque.

Sewer Drainer is a nasty, stinking mess of a band, and I love 'em. I love the massive amounts of distortion and I love the minimalistic performance. If you're a fiend for heavily distorted blackened punk, then I'm sure you'll love this.

Thursday, June 13, 2013

ReverbNation Spotlight: Ov Plagues


Ov Plagues is a black metal band that hails from the wretched city of Chicago. Seriously, it has the highest murder rate in America, despite having the strictest gun control laws. However, I'm not here to talk about why gun control is a bad idea and will always fail, I'm here to talk about metal.

These guys can best be described as a mix between Gorgoroth and Deicide. The drums play simple, fast, straightforward blast beats with plenty of double bass and some fills for good measure. The guitars really show the mixture of genres. Sometimes the tremolo riffs sound as cold as a polar bear's nutsack. Other times they're as fiery as Satan's asshole. I mean all of that in a good way of course. The riffs are furious and quite infectious. The croaks and rasps are appropriately vicious and angry. They could easily compete with any Norwegian.

I love these guys. I love their mixture of black metal and death metal riffs and I love the vocal performance. I can't wait to hear a full-length from these guys.

http://www.reverbnation.com/OvPlagues

Wednesday, June 12, 2013

Nigrum Ignis Circuli – Ritual of Sabbath Pt. I – LEJDA


Nigrum Ignis Circuli is Latin for “Black Fire Circle”. It also happens to be the name of a raw black metal band from Bosnia and Herzegovina. They're part of the “Black Plague Circle”, a black metal association similar to the LLN and the Black Twilight Circle which consists of fellow Bosnian bands Deathcircle, Niteris, and Cave Ritual. I really liked Deathcircle's dark and occult brand of black metal, so I might just like these guys.

The style of black metal played by Nigrum Ignis Circuli harkens back to the genres early days. The music is mid-paced, the production is muddy and lo-fi, and the instrumentation is rather minimalistic. The drums utilize a lot of cymbal work which creates this impenetrable fog that reinforces the occult atmosphere. The bass is quite prominent in the mix, rather rare for lo-fi black metal. They help give the music an extra layer of thickness. The guitars mainly play simple rhythms that wouldn't be out of place in an early 90s black metal band. They're not all that original, but they're still good. The vocals consist of a cloudy rasp that just screams Darkthrone. Again, they're not that original, but they're still well-performed.

Let me also mention that the first and last songs consist of keyboard pieces. I particularly like the last one. The dark, lo-fi keyboards remind me of the dark ambient works of the LLN. Overall, this demo was a great display of lo-fi black metal. They may not have done anything new, but they take the formula already written down and play it well.

Tuesday, June 11, 2013

Touhou Tuesday #77


Monday, June 10, 2013

Theoria – Mantra


Syria is an absolute mess right now. There are far too many details to go into, so to keep it simple, let's just say the scene's not pretty. Despite all this carnage, two intrepid men have found the time to create dark, blasphemous black metal. They call themselves Theoria, and Mantra is their debut. First of all, you gotta have some serious balls to be producing metal in the middle east, especially if it's black metal. Second, when I went onto their Bandcamp page, the slogan on their page banner read, “Every man is but a galaxy unto himself.” This quote sends an individualist message and stands in direct opposition to the original collectivist quote from John Donne, “No man is an island, Entire of itself, Every man is a piece of the continent, A part of the main.” I'm loving these Syrians already.

Despite being made in a war zone, the production quality is amazing. The distortion has that classic Norwegian fog aspect to it, and the music just exudes a powerful atmosphere. The drum performance feels and sounds raw. They let loose a torrent of stripped-down blast beats and rapid double bass that create swirling mayhem. The guitar performance is equally raw. They mainly utilize rapid tremolo riffs and cloudy, distorted riffs that sound like a swarm of hornets. Some of the riffs are slow and depressive, such as on “The Chime of Lifeless Matter”. For some strange reason, they remind me of Grimlair. They also play these dark clean guitars that give the music a dissonant, Deathspell Omega-type feel. There are even times when they'll play thrashing rhythms. Some of the riffs on “Inner Tempests” remind me of Metallica.

The vocals consist of a hoarse, gremlin-like rasp. Normally, I don't like this type of vocal performance, but I think they make sense in this context as they help give the music an unearthly feel. Speaking of which, the keyboards also help to reinforce this atmosphere. Sometimes they create an interstellar environment, such as on the song “Theoria”. Other times they play these passages that give the music a mysterious desert feel.

Many black metal bands glorify war, death, and destruction, but they have never experienced it. They don't understand the true gravity of those subjects. These Syrians know. The emotions they display on this album are genuine. This is one of the most enchanting displays of raw black metal I've heard in a long time. It's dark, it's dreary, it's gloomy, but it also has a wondrous mystique to it, something that few white men could hope to produce. This album is available as a name-your-price download on Bandcamp, so go on there and pledge your support.

Thursday, June 6, 2013

ReverbNation Spotlight: Ancaman


Ancaman is a brand new grindcore band from Indonesia and I quite like what they've made so far. The production maybe kind of primitive, but then again, that's sort of common with new, independent metal bands from the area. Their music has a prominent bass line which gives the music a thick and rich atmosphere. The drums are rapid and methodical in their delivery, playing simple blasts and drilling double bass in equal measure. The riff work is really chunky, has a bit of structure to it, and reminds me of Nasum. The vocals consist of a mid-range scream and remind me of Terapi Urine.

I really dig these guys. Their music is simple, direct, and raw. Three of their songs are up for free download. Here's to hoping they release a full-length debut pretty soon.

Tuesday, June 4, 2013

Bandcamp Roundup Vol. 28

Now that I got rid of the termite-infested wood in my room, I now have to clean up all the dust. There's so much dust everywhere it's going to take me forever to sweep it all up. The metal drought on Bandcamp continues as once again I'm only able to find one band worth my time, but this one here's really special.

Theoria


This is a new black metal band from Syria. I'm surprised anyone in that country has the time to make metal what with all the shit that's going on there, but these guys manage to find the time to make some great dark black metal. Their black metal is slow and menacing, quite similar to bands like Darkspace and Blut Aus Nord. I love the cloudy production, the atmospheric guitar work, and the spiteful rasps. I'll have to write up a full review of their work soon, because this shit really impresses me.